“This book is extraordinary. Smith has delivered a vivid and lyrical reckoning of the ways in which people frame history, especially regarding slavery in the United States, as it passes from one generation to the next and moves further beyond those with a personal account. Or so much of American society would like us to think, to forget.
Poetic in what is foregrounded, in what is observed, in framing and structure and prose, Smith seamlessly blends factual histories of places like Monticello, Angola prison, and New York City with the physical and emotional aspects of touring them as a descendant of formerly enslaved people. In other chapters, the experience of being amongst the descendants of Confederate soldiers at a Confederate memorial juxtaposes that of being in Galveston, site of the first recognized Juneteenth celebration.
The lack of distance between subject and Smith gives modern context to what is often considered impersonal, immersing the reader in it alongside him. When so much of our understanding of history comes down to who tells it and who frames it and who gets to decide what is worthy of being passed down, this book needs to be in that conversation.”
“We need this book.” —Ibram X. Kendi, #1 New York Times bestselling author of How to be an Anti-Racist
The Atlantic staff writer and poet Clint Smith’s revealing, contemporary portrait of America as a slave owning nation
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks—those that are honest about the past and those that are not—that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves.
It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation–turned–maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.
A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country’s most essential stories are hidden in plain view—whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted.
Informed by scholarship and brought to life by the story of people living today, Smith’s debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.